“de espana a bolivia”


cochabamba, BOLIVIA: martha estivariz, center, puts some of her admiring charges through their paces at the rehearsal for her annual show. planetflamenco is happy to report that spanish dance is alive and well in central bolivia under maestra’s faithful auspices.


in a wide-ranging performance showcasing a myriad of styles, from jotas (zaragozana y aragonesa) to classico, sevillanas, flamenco and modern pieces, martha’s students and her professional company (in the second half) used excellent music to its best advantage, with interesting and intricate choreographies and stimulating staging and fantastic costumes combining to make for a total experience that could match the efforts of just about any spanish dance company we could name short of the national ballet of spain.


watching this accomplished artist come up with footwork combinations and the like is fascinating - she may not perform any heavy solos herself anymore, but her two highly-talented daughters, carla zambrana and anacarola zambrana pick up any slack in that department. note should be taken of nataly moscoso, diego montano (above, left) and andres anez (above, right), highly-trained dancers who could slip into virtually any spanish dance company in the world without missing a beat. kudos to martha, who, in her 39th year of dance leadership in cochabamba, is the epitome of aire, gracia and style. here’s to the next 39 years! ole! (dancers wishing to contact martha at her new studio in cochabamba may do so at artepuntoproducciones@hotmail.com or artepuntoproducciones@gmail.com)


(below, from left, jotas, martha y carla zambrana; anacarola zambrana)

COCHA, BL: cochabamba is culturally-rich city in the heart of bolivia’s altiplano. with almost one million residents in the greater cochabamba valley, and nearly one hundred thousand college students, cochabamba is the thriving hub of the cochabamba department.


simon patino, the bolivian tin king and world’s third richest man,  made cochabamba his home in the 1920s. while a heart attack made him unable to enjoy his big house in the city, his foundation has enriched his adopted town’s cultural life, sponsoring and hosting dance and music festivals and many related artistic events throughout the year.


universidad de mayor san simon (www.umss.edu.bo) is the home of dozens of dance groups, including indigenous tinkus, spanish-influenced caporales, and flamenco.  (please visit the video page for examples of these dances.)


flamenco has long been well-served by the guidance and leadership of martha estivariz (see below). her new studio near san simon university is the culmination of a career that has taught and nurtured the flamenco fire to thousands of dancers over the decades. this page is dedicated to her.

can’t get away to the andes? savoring andean delights such as yerba mate (click left) or chuno blanco - aged potatoes (click right) from LA TIENDA is the next best thing. “tinku” in style!

Caporales

From Wikipedia, the free encyclopedia


Caporales is a typical Bolivian dance. It is a legacy of the Spanish colony where caporales were Spaniards born in the colonies. After the Spaniards left both countries, caporales began as a dance to show that legacy. The dance however has a prominent religious aspect. One supposedly dances for The Virgin of Socavon (patroness of miners) and promises to dance for three years of one's life. According to researchers at the University of San Marcos in Lima, Peru, the caporales is a Bolivian dance that came from the Tundiki and Saya, Afro Andean dances of the Yungas region, Bolivia and were presented formally as caporales in the religious festival of Gran Poder, La Paz Bolivia en the 40's by the Escalier family.

It has been popularized greatly and is also danced in neighboring countries such as Peru and Chile, and the Lake Titikaka region of Peru has also claimed its origin but research in Universities of Peru and Bolivia have not found any evidence of Africans in the highlands of Peru or of any formally organized Caporales groups with a registered and long history like in Bolivia.

Caporal or caporales today is a typical Bolivian folkloric dance very popular in the national festivities, Carnaval in particular. A male caporal dress would depict an old Spanish military guard. Wearing heeled boots bearing large bells known as "cascabeles", a male dancer carries a hat in his left hand and a whip in his right. A female caporal dress consists of a minidress with matching panties, skin-color pantyhose, fancy shoes, and a round top hat pinned to her hair. The style and colours of the dress are maintained the same for both the men and women of a certain group, but can vary drastically between groups. Men and women usually dance separately in a progressive march style dance. Caporales is most popular among young men and women in their twenties and early thirties because of its physical demand.

 

elsa sipe yucra (above) is a quechua amer-indian native of oruru, bolivia, currently living in cochabamba, where she is the cook and household manager for a flamenco guitarist.


she is an avid student and aspiring artist who enjoys reading, writing and drawing. while not active politically, she is hopeful after bolivia elected her first president drawn from the indigenous majority.


elsa is fond of llamas, and her grandfather owns over two hundred in oruru. she frequently attends quechua gatherings in cochabamba on weekends, where she can connect with her friends from oruru and work on her tinku moves.


Tinku

From Wikipedia, the free encyclopedia


Tinku is a form of ritual conflict practiced by local people in Potosí, Bolivia. In a local kinship system people are divided to two halves or moieties, which have unequal status. The word "Tinku" belongs to the Quechua language and means encounter, meeting.

Contents [hide]

1 Times of the year

2 Groups who participate

3 Methods of combat

4 Reasons

5 History

6 References

7 External links

7.1 Recommended Bibliography


[edit]

Times of the year

Tinku takes place on specified holidays, when the members of moieties, both men and women, fight hand-to-hand with those of the other moiety. In Bolivia, the Tinku is held around the 3rd of May and lasts for a few days. Though the conflict is largely symbolic and ceremonial, the brawl may inflict real, serious physical harm that may sometimes be fatal. Status of a specific moiety is determined by this conflict.

In the Andes, a tinku is a "ritual battle." These battles can be part of "festivities or rites of passages and are often sponsored or supervised by political and/or religious authorities." These are similar to games, like boxing, and military training exercises that are done in the United States today. They are celebratory battles that are controlled, as opposed to warfare, which is not controlled or celebratory.

Types of events that could be included in tinkus:

▪The "annual or semiannual fighting ritual linked to agricutlural fortune"

▪The "pasola" on Sumba Island

▪The Nahua "tiger fights" in Mexico

▪Scripted battles

▪"Moros y Cristianos" in Spain and Latin America

▪The Aztec "flower wars"


[edit]

Groups who participate

Tinkus occur "between different communities, moieties, or kin groups." They are prearranged and usually take place in the small towns of southern Bolivia. Tinkus are very festive, with an audience of men, women, and children, who bring food and drink. Alcohol is also brought and is sometimes sold along with food during the tinku.


[edit]

Methods of combat

The weapons used during tinkus are traditional or Inca weapons.

Slingshots

Boleadoras

Clubs

Whips

▪Sometimes horses

The tinkus can become very violent, and people do get injured and even die. But, the deaths can be seen as good omens for good harvests. Because of the violence, police attend tinkus in some places to prevent bloodshed. In other places, tinkus are banned by the government or church because they had become too violent in the past.


[edit]

Reasons

Tinkus do not end with trophies or awards. There are different reasons for why tinkus are fought, which include:

▪The winning side will have a prosperous year.

▪A person or group is targeted because of past actions.

▪Groups with old animosity fight for prestige.

▪Statements of "indigenous peasant autonomy and fierceness versus the dominant or mestizo culture"


[edit]

History

Tinkus have been a tradition of Andean culture since before they first had contact with Europeans. Some anthropologists hypothesize that Ancient Andes culture would have tinkus instead of battles. This would help curb aggression between different groups, and allow for entertainment, similar to football games in the United States. There are some anthropologists that believe the tradition of the Tinku dates back to the time of the Moche culture, where neighboring tribes would annually fight one another.


[edit]

References

▪Arkush, Elizabeth and Stanish, Charles. "Interpreting Conflict in the Ancient Andes." Current Anthropology 46.1 (February 2005).


[edit]

External links

Fotos of the Tinku in Macha and Pocoata/Bolivia

Tinku - Ritual fight - Bolivia

Group Tinkus Cochabamba

cocha

Los Kjarkas is a Bolivian band, one of the most popular Andean pop bands in the country's recent history. Their most popular song, "Llorando se Fue", with some of its basic melodies and harmonies being based on Bolivian popular music of public domain, was licenced by French producers, Jean Karakos and Olivier Lorsac which resulted in Kaoma's hit, Lambada. Kjarkas also founded two schools focusing on Andean folk music, the Musical School of Kjarkas (Lima, Peru) and La Fundación Kjarkas (Ecuador). They have toured across Japan, Europe and Scandinavia, the United States and South America.

The band's leader has always been singer, guitarist and songwriter Gonzalo Hermosa González, who formed the band with his brothers Elmer Hermosa González and Ulises Hermosa González, as well as Gastón Guardia Bilboa and Ramiro de la Zerda. De la Zerda left group to form Grupo Fortaleza and Ulises Hermosa died of cancer in 1992, replaced by Eduardo Yáñez Loayza, Rolando Malpartida Porcel and José Luis Morales Rodríguez. By 2002, however, Japanese born Makoto Shishido, Lin Angulo, & Gonzalo Hermosa González junior had replaced Yáñez, Porcel, & Rodríguez. Makoto Joined to the band after seeing them in a concert in Japan. Los Kjarkas performed in different parts and almost in all continents which made them the most successful folk band from Bolivia. www.loskjarkas.com.bo (wikipedia)

the roof, the roof, the roof is on fire: “there was a hot time in old town downtown tonight...”

quinoa: This versatile grain has many uses. It is enjoyed with milk as a breakfast cereal, toasted and served like rice, or ground as a flour to enhance baking. This package comes with a recipe for Pork with Quinoa. Unlike other grains, it is a complete protein with high iron, potassium and riboflavin levels. When cooked, the grain becomes delicate in flavor, soft and creamy, with a crunchy “tail” (a spiral created by the exterior germ during cooking). The grain has a bitter coating of saponin, which is removed through washing to make the grain palatable.
Cooks toast or roast quinoa and then cook it before adding to soups, stews or rice, or making it into snacks, cereals and bread, which can contain 15% to 20% quinoa flour. (click left to order from LA TIENDA.)